- format: Kindle (Amazon)
- File Size: 1167 KB
- Print Length: 400 pages
- Publisher: HarperCollins (September 6, 2016)
- Publication Date: September 6, 2016
- Sold by: HarperCollins Publishers
- Language: English
- ASIN: B01BJ12PEM
‘What I intend to say to you will come as a shock . . .’
Lady Athelinda Playford has planned a house party at her mansion in Clonakilty, County Cork, but it is no ordinary gathering. As guests arrive, Lady Playford summons her lawyer to make an urgent change to her will – one she intends to announce at dinner that night. She has decided to cut off her two children without a penny and leave her fortune to someone who has only weeks to live . . .
Among Lady Playford’s guests are two men she has never met – the famous Belgian detective, Hercule Poirot, and Inspector Edward Catchpool of Scotland Yard. Neither knows why he has been invited . . . until Poirot starts to wonder if Lady Playford expects a murderer to strike. But why does she seem so determined to provoke, in the presence of a possible killer?
When the crime is committed in spite of Poirot’s best efforts to stop it, and the victim is not who he expected it to be, will he be able to find the culprit and solve the mystery?
Following the phenomenal global success of The Monogram Murders, which was published to critical acclaim following a co-ordinated international launch in September 2014, international best-selling crime writer Sophie Hannah has been commissioned by Agatha Christie Limited to pen a second fully-authorised Poirot novel. The new book marks the centenary of the creation of Christie’s world-famous detective Hercule Poirot, introduced in her first book The Mysterious Affair at Styles.
This is the second of Sophie Hannah's Poirot stories. The story is told mainly through the voice of Inspector Edward Catchpool, Poirot's friend from Scotland Yard. They have both been invited to a houseparty in Clonakilty, County Cork. A murder occurs but it isn't the one any of the house party were expecting. The amount of space given to Catchpool's voice is just one of the things distinguishing this novel from a "real" Agatha Christie. For another, Christie herself would have underplayed the gruesomeness of the state of the dead body.
I was willing to be persuaded, but Hannah's Poirot still does not ring true. He seems in some ways younger, more mobile, and a little less fastidious than the original.
And am I just being petty in my objections to the prominence given to the Agatha Christie name on some covers?
My rating: 4.2
I've also reviewed 4.3, THE MONOGRAM MURDERS